Archive for June 2011

Une trentaine d’artistes reunis

Tuesday, June 28th, 2011

This piece appeared in 2007…

La Couture-Boussey/Salon des arts
November 2007

Le 17e salon des arts couturiots, organize par Yvette Tougas et Nicole Dugast-Breval, samedi et dimanche a la saile polyvalente de La Couture-Boussey (Eure), a regroupe une trentaine d’artistes. Les oevres du peintre americain David E. Garrison, invite d’honneur, ont particulierement retenu l’attention d’un public toujours plus ettofe. “La France est un pays ou il y a de la beaute partout et ou je trouve toujours de multiples sources d’inspiration.” A declare David E. Garrison, qui a recu diplome d’honneur de la ville de La Couture, des mains de Bernard Groulier, maire (sans etiquette). L’association Cout’Pat presentait ses travaux: peintures sur porcelaine, sculptures de bois ou debene, crayon de couler. Jean Lebesnerais, 61 ans de creation, n’etait pas venu depuis quatre ans. Expatrie a Rouen (Seine-Maritime), il presentait un tableau avec quatre images dans un meme cadre, a l’encre de Chine et des encres sur parchemins. Monique Manceau exposait des enluminures sur peau de veau ou de chevre, omees d’or 24 carats. Lili Tonnemans a longuement travaille sur le theme des liens amoureaux. Enfin, Christine Touraille etait venue avec ses Quatre elements.

Bringing a Mood Into Focus

Sunday, June 5th, 2011

Here’s an article I found recently and can share here now.

by Alex M. Joncas
Southwest Art
July 1977

Though he was born and raised in the Midwest and has his home in Burlington, Iowa, David Garrison still enjoys the beauty of the western atmosphere. From his Iowa home, he travels to the Southwest several times a year. And once there, he receives new inspiration for his conte crayon paintings of Indians, adobes, animals and other southwestern scenes and subjects.

Conte crayons, a medium largely ignored by artists, is the specialty of this successful painter who also works in other media. Garrison’s conte crayon style is unique and easily recognizable. Through special care in applying the several layers of gesso (sometimes as many as fifteen) to the panel board, he achieves a characteristic freshness. Depending on the subject matter, the background and overall design is intensified with each application of the gesso-conte crayon mixture. Due to the resultant natural look and earth tones, the effect is complementary of subjects pertaining to the Old West, wildlife, mother and child, and nearly every topic.

“Conte crayon, as I use it, has a refreshing look to it and causes people to wonder how the aged quality was brought out,” explained Garrison. Actually, conte crayon dates back to medieval times. The Old Masters used it for the quick sketching and planning stages of their master works. Yet there are no examples in our past of conte crayon used for and of itself. Garrison decided it was time this was changed, and the success of his efforts is evident in his works.

“I’ve been asked why I work with western subjects considering I live in Iowa. Iowa is not without its Indian ancestry. Chief Black Hawk was one of the better known in my area. I enjoy reflecting back to our settlers and very first Americans in the history of our country, and the Old West offers the most versatile opportunity. I equally enjoy the wildlife because so much of the beauty lies in the anatomy. In my estimation, anatomy plays just as important a part as good design.

“In many cases anatomy is where one separates the men from the boys in the fine arts. Outstanding artists of the past such as Michelangelo, Rodin, and John Singer Sargent realized the vital function anatomy plays. I came to understand that without it, I would be only half the artist I hoped to be, no matter how many years I worked.

“In the years while the style I now have was developing, I was determined to bring my best potential into being, and to perfect my own style. ‘have your own style and don’t copy the success patterns of others’ was my motto. Purposely, my style will continue to mature. I have no intention of becoming locked into my way of doing my pieces. I must progressively improve and expand my mode of working. An example of this progressive development is Michelangelo. The changes in this man’s work are obvious right up to his last piece of sculpture.

“The importance of a unique style is a lesson I consider myself fortunate to have learned early in life. One of the great difficulties for young artists these days is to decide between one’s own impressions and those impressions of someone whom one admires very much. If he can become free from everyone else’s influences, the young artist can work at his own time and at a more natural pace.”

While seeking to achieve this goal of creating his own style, Garrison reflected on the challenges faced by the artists of the Middle Ages. They had to start from scratch in creating a painting. Many had to make their own brushes and even their own paint before they could start a painting. Artists today need only go to the store to pick out their supplies from a variety of merchandise, brands, etc. available. So, to be limited to only one medium in this day and age is foolish.

Further explaining his philosophy, the southpaw painter said, “ If I were to define my work in one word, it would be ‘simplicity’. In trying to tell a story through art, the law to follow is simplicity. I believe in direct approach, eliminating all unnecessary detail and all unnecessary color—unnecessary color is just as much artistic sin as overworking the area with detail.

It is Garrison’s belief that during his four year stay at the American Academy of Art in Chicago, he received “excellent training by outstanding artists who were well known in their fields.” He studied oil painting with Joseph Bandenrouke, watercolor with Irving Shapiro, and anatomy with Bill Parks. In fact, it was Parks who introduced Garrison to conte crayon. Garrison graduated from the academy in 1968.

For this artist, studio work is all-important. After collecting ideas in notebook, sketchbook and slides, He returns from his trip and starts sorting through and creating. “It is not uncommon for me to work ten to twelve hours ata stretch on several works at once. The idea behind this is not to mass produce art, but to keep my mind from settling in a rut by doing only one thing at a time. Variety is the spice of life and it is important to keep each piece original.

“I use abstract art in getting the basic design in my painting,” explained Garrison. “In planning a painting I do sketches with light and dark patterns which generally show good basic design. This is usually called abstract art.”

Where other artists use abstract as a finished piece of art, Garrison carries it one step further in making it realistic art.

“I do my work in rough draft at first, determining as I go what I want the detailed areas to be. Sometimes when I find a subject a little more overpowering than usual, I make up small sketches to determine the center of interest.”

Garrison says his goal is to create a mood rather than to create a pretty picture. “I try to catch a moment in time—for instance, the beginning of the flight of a pheasant or the little duckling’s first swim.” The artist feels that composition and design are vital and that without these, you would have nothing but a mess.

To identify his work as an original, Garrison not only signs his name, but he also places a thumbprint over his name. If this rather unique technique had been used by the Old Masters, perhaps the problem of forgeries would not now exist.

To paint outdoors on location is a satisfying experience for Garrison. The moods and colors are so unlike studio painting. However, the outdoors does have its hazards. For instance there was the time Garrison was painting a scene in a park. His deep concentration was destroyed as a large dog came up to him from behind. Too frightened to move, Garrison froze stiff, a move which proved disastrous for the dog mistook him for a fire hydrant.

The artist’s ability to laugh even when mistaken for a fire hydrant, reflects his daily positive attitude toward life. In large measure this positive daily living can be credited to his Mormon upbringing and the family environment provided by his wife and two sons.

Garrison is an earnest conservationist. This, in part, explains his wildlife paintings. “Many beautiful species are endangered,” he points out. I enjoy painting wildlife and hope, by bringing out the beauty of birds and animals, to create an awareness that they are precious and not just something to hunt.”

A number of galleries handle Garrison’s work and can attest to the artist’s versatility. Among these galleries are Savage Galleries in Santa Fe, New Mexico and Scottsdale, Arizona; Hall’s Gallery, Lubbock, Texas; Artists’ Den, Valparaiso, Indiana; Lake View Art Center, Peoria, Illinois; and Images of the Old West, Minneapolis, Minnesota.

David E. Garrison feels that self-discipline is an all-important factor for attaining success at anything a person undertakes. Perhaps this is even more true for the artist, who encounters within himself a constant struggle for perfection. A beautiful aspect of this struggle is knowing there is always something to learn. Age and experience are no exception to this rule. And for this 37-year old artist, to try to capture a mood and to bring it into focus for the untrained public eye is truly a challenge. Whether the work be a Madonna and child or a crusty old man from the 1800s, Garrison captures a spirit of tranquility and creates a mood of peace within.

La Couture-Boussey: Un Americain a La Couture

Wednesday, June 1st, 2011

L’association “l’Art Couturiot” et la municiplalite organisaient ce week-end le 17e salon des arts a la sale polyvalente avec, en invite d’honneur, David E. Garrison, un peintre venu des Etats-Unis. Diplome de l’American Academy of Art, Chicago, Illinois, liste dans le “Who’s Who” de l’American Art depuis 1986, le peintre a expose de superbes huiles et pastels qui ont seduit le public.

Nicole Dugast Breval, organisatrice du salon avec Yvette Tougas, a reussi a reunir un tres beau plateau; pas moins de 33 artistes, peintres et sculpteurs de talent, exposant des oeuvres d’une grande diversite ou toutes les techniques artistiques etaient representees. Elle a tenu a remarcier la municipalite, “pour son soutien indefectible depuis 12 ans,” et salue “la presence d’un Americain a La Couture dont les peintures voyagent entire nos deux pays,” Bernard Groulier, maire de la ville, cs’est egalement felicite de la grande qualite de ce salon. “Nous possedons plusieurs sites d’exposition assez remarquables dans ce canton et c’est tant mieux; le proper des oevres artistiques, c’est d’etre inepuisables et elles ont besoin du regard des autres” a notamment declare le maire qui a remis a David E. Garrison, le certificat d’honneur de la ville.

Aide par sa compagne Cecile Houel, egalement peintre de talent, l’artiste Americain qui s’est excuse “de ne pas avoir eu le temps d’apprende notre langue” a dit son plaisir d’etre en France, “un pays ou il y a de la beaute partout et ou je trouve toujours de sources d’inspiration.” Parmi les laureates de cette 17e edition, Francis Thellier, Philippe Boudequin et Guy Boulme ont a recu le prix du jury pour leurs peintures, les sculptures de Robert Duclos ont egalement ete primees.